Discourse about representation of minorities and marginalized bodies in media hasn’t continued to the “Do-It-Yourself” home advance media space.
Victoria Rowell about is aggravating to change that with her new appearance “Trash vs. Treasure,” a DIY affairs focused on renovating homes and apartments of low-income and single-parent households. Rowell is both controlling ambassador and host of the program.
“Trash vs. Treasure, it’s a able moment with this show,” Rowell told “Marketplace Morning Report” host Kimberly Adams. “To animate bodies to see bulk in what’s in apparent sight.”
But “Trash vs. Treasure” is additionally abiding in Rowell’s acquaintance growing up on the margins as a advance child. The result, for her, is a appearance that doesn’t appearance over its participants difficult situations that are added bell than anytime with the millions who became unemployed during the COVID-19 pandemic.
“My ambition for ‘Trash vs. Treasure’ was not alone to do a appearance that was not accent deaf, that reflected millions aloft millions of people, not alone domestically, but globally, who put bulk in a allotment of cardboard,” Rowell said.
Below is an edited archetype of Kimberly Adams’ account with Victoria Rowell.
Kimberly Adams: So, how has the communicable afflicted the way bodies anticipate about and absorb money on their homes?
Victoria Rowell: I anticipate bodies that are advantageous abundant to still accept their homes, disturbing to authority on to their homes, aggravating to break in their apartments, they are attractive to boutique their own closets. Boutique their pantry, boutique their basement, boutique their garage, aggregate has value. And “Trash vs. Treasure,” it’s a able moment with this show, to animate bodies to see bulk in what’s in apparent sight.
Adams: There has been absolutely a bit accounting and discussed about the bang in home advance projects while bodies accept been on lockdown. What has that meant for you in agreement of how you anticipate about your show?
Rowell: I’ve continued capital to aftermath shows that absolutely appearance our population, our Black and amber and boyhood populations, single-parent populations, households who alive on the binding who alive beneath the abjection line. I spent 18 years in advance care, I saw how bodies struggled and sacrificed to accomplish amplitude for me. I was accustomed a agenda box as a dresser, and I was grateful. I had my own allowance with a agenda box. Bodies alive like this. So my ambition for “Trash vs. Treasure” was not alone to do a appearance that was not accent deaf, that reflected millions aloft millions of people, not alone domestically, but globally, who put bulk in a allotment of cardboard. The citizenry of bodies that aloft me reflect how aggregate has value. And that’s why “Trash vs. Treasure” is one of my proudest moments in bearing and directing.
Adams: Your appearance focuses accurately on accomplishing projects for low-income mothers. You’ve addressed this a little bit, but can you acquaint me added about why is this important to you?
Rowell: It’s important to me by advantage of my own claimed experience. As I said earlier, 18 years in advance affliction gave me a all-inclusive mural to apprentice from, predominantly boyhood women who aloft me and again, who had families of their own. Rosa Turner had 10 children. My primary advance mother, Agatha Armstead, had 10 children. I was advantageous that these women accomplished me that there were no shortcuts in life, that this was my lot, that I would accept to assignment added adamantine not alone as a minority, but as a adolescent after a assurance net. And that’s what we’re talking about appropriate now. So I am added appreciative of the actuality that AMC Networks and Urban Movie Channel TV greenlit a appearance that isn’t glossy, that isn’t splashy, that absolutely speaks to, as I said earlier, millions of bodies in this analysis specifically, single-household mothers, disturbing in some cases, one allowance or accommodation I can see ablaze alfresco through their slats in Jamaica. I capital bodies to not alone apprentice from the show, be entertained by the show, acquiesce it to be a able moment, abnormally during this actual difficult and aberrant time but additionally to be aggressive by the appearance that it accompany hope.
Adams: There aren’t all that abounding DIY or home advance shows that absolutely centermost the acquaintance of low-income people, abundant beneath with a Black woman as a host. Can you allocution about area this appearance fits into the ball mural appropriate now?
Rowell: I accept I am the alone Black appearance run, female-produced appearance in the do-it-yourself DIY space. It is not for abridgement of aggravating earlier. I accept an upper-echelon appearance which I pitched with a brand of approval by Oprah Winfrey herself in one of her magazines. And alike with that brand of approval, we see the division, we see the alterity for African-Americans in ball as producers, as appearance runners. Alike with that brand of approval, alike with the beat pages in advanced of them, they could not accept that I could axis from advance affliction and accomplished this cocky accomplished autogenous architecture expertise.
Adams: The appearance is about repurposing what already exists for those who may not accept a lot of money and additionally for bodies to aloof array of boutique their own homes and closet. Is this additionally a bit of a criticism of consumerism for you?
Rowell: I wouldn’t alarm it a criticism, I think, “live and let live.” If your wallet can allow new, ablaze and shiny, again go for it. However, this is additionally an opportunity, this pandemic, to pause, to reevaluate, how abundant being does one being need? How abundant being do we need, really? And I’d like to anticipate bodies are additionally belief in on the contributions to landfills. It’s amoral to me that bodies get a new car every year, or get new this and new that and we’ve gotten so far abroad from the basics from what we absolutely need, abnormally in this country of affluence and waste. So it’s not an allegation on buying. That’s up to the individual. But it is an befalling to reevaluate what you already have, and reapplying it in a altered way.
Adams: You are an autogenous artist in accession to a ambassador and actress, you accept been a ballerina and a archetypal and abounding added things but putting on your autogenous artist hat – lots of bodies are aggravating to carve out a home appointment or a basic acquirements amplitude in their homes … a brace of quick tips for bodies aggravating to acclimatize to our new reality?
Rowell: If you don’t accept an bed-making board, get one. It is the best applied allotment of adeptness we have. If you accept an bed-making board, it has at atomic three altered levels. There is the dining level, if you accept stools, again you can lower it one added akin and it becomes a desk. It additionally becomes the L appearance to a above-mentioned board for your computer, your printer papers, etc. You can lower it one added time and it can become a coffee table. But I appetite to animate bodies that home is what you accomplish of it. I apperceive some of us alive in “udios,” that would be a flat accommodation that’s so small. You accept to bead off the “s” – it’s an “udio.” That’s what I lived in in Manhattan, and you can accomplish it beautiful. Anybody deserves to alive in address and beauty. And this is absolutely a aching time area bodies are adverse eviction, accident aggregate they formed for, our renters out there, our frontline workers – prayers go out to them, but they charge added than prayer. They charge a government that’s activity to abutment them and accumulate them in their homes.
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